Thursday 1st November 2018
h 16:30, Teatro Garibaldi
Cinque anni di Liminaria: dal Fortore a Palermo (Five Years of Liminaria: from Fortore to Palermo)
Public presentation of the Sicilian session of Liminaria 2018, collateral event of Manifesta 12
with Leandro Pisano, Beatrice Ferrara, Andrea Kantos, Yukiko Shikata and the artists in residence: Alessandra Eramo, Fernando Godoy, Vacuamoenia (Fabio R. Lattuca e Pietro Bonanno), David Vélez
Saturday 3th November 2018
h 10:30
Looking for ‘abbanniata’
Soundwalk in the historical markets of Palermo to listen to the transformations of the city
with Nicola Di Croce, in collaboration with Sguardi Urbani
Starting location: porta Sant’Agata, corso Tukory
Max 25 participants
Free of charge participation, it’s necessary to book it at: urbanisguardi@gmail.com
—
h 17:30, KaOZ
opening Liminaria 2018
with the curators and board of Liminaria 2018: Leandro Pisano, Beatrice Ferrara, Andrea Kantos, Lori Adragna and Heidi Sciacchitano, Director of Goethe Institut Palermo
opening of the sonic exhibition: “Interferenze 2003-2018: risonanze rurali”
—
h 18:00, KaOZ
opening lecture / keynote
Yukiko Shikata: Connecting Liminarias – Possible Landscapes
—
h 19:00, KaOZ
Nicola Di Croce presents his book: “Suoni a margine. La territorialità delle politiche nella pratica dell’ascolto” [ITA]
in conversation with the author: Luisa Tuttolomondo, Emiliano Battistini
in collaboration with Sguardi Urbani
—
h 20:30, KaOZ
Angus Carlyle presents “Zawawa: the Sound of Sugar Cane in the Wind” [ENG/ITA]
in conversation with the author: Leandro Pisano, Beatrice Ferrara
to follow, screening of the film* [ENG]
Sunday 4th November 2018
h 10:15, KaOZ
opening of the session
—
h 10:30, KaOZ
panel
Il suono come flusso: tra etnomusicologia, sound art, paesaggio sonoro
(Sound as a flux: between ethnomusicology, sound art, soundscape) [ITA]
with:
Alessandra Ciucci (Columbia University, New York): Musica, suono, e ruralità nella migrazione marocchina in Umbria (Music, sound and rurality in the Moroccan migration in Umbria region)
Andrea Laquidara (Università degli Studi di Urbino): Accanto all’immagine. Il rumore indecifrabile del Reale (Next to the image. The incomprehensible noise of the Real)
Anna Cestelli Guidi (Auditorium – Fondazione Musica per Roma): Gli spazi del suono – Esperienze sonore all’Auditorium di Roma (Spaces of sound: sonic experiences at Auditorium di Roma)
chair: Beatrice Ferrara and Leandro Pisano
—
h 12:00
Nemico interno
Collective performance/happening by Canecapovolto, crossing the city
Starting location: KaOZ
In collaboration with Sguardi Urbani
Max 15 participants
Free of charge participation, it’s necessary to book it at: urbanisguardi@gmail.com: canecapovolto@gmail.com or urbanisguardi@gmail.com.
—
h 16:00
performance
Un giro con Totò e Mario
David Vélez, Fernando Godoy, Fabio R. Lattuca
—
h 16:45
performance
Un meteorite su Brancaccio
Alessandra Eramo
—
h 17:15, KaOZ
panel
Arcipelago acustico: attraversamenti e pratiche sonore in Sicilia (Acoustic archipelago: crossings and sonic practices in Sicily) [ITA]
with:
Emiliano Battistini (Università di Palermo): Sguardi urbani: un progetto sonoro sui monumenti Arabo-Normanni di Palermo (Sguardi Urbani: a sonic project on the Arab-Norman monuments of Palermo)
Francesco Lucifora (Modica Art System), Pratiche estetiche e sonore nel Sud-Est: dal CoCA al progetto M.A.S. Modica Art System (Aesthetic and sonic practices in the South-East: from CoCA to the M.A.S Modica Art System project)
Giusi Diana (art critic and curator) and Alessandro Librio (sound artist, musician): Il montaggio temporale e la memoria del suono in ‘Il Suono dei fiumi’ e ‘Birdsquartet’ (Temporal editing and memory of sound in ‘Il Suono dei fiumi’ and ‘Birdsquartet’)
Fabio R. Lattuca and Pietro Bonanno (Vacuamoenia, sound artist): presentation and discussion of the work of Liminaria 2018
chair: Leandro Pisano and Andrea Kantos
sonic interventions: canecapovolto
—
h 19:15, KaOZ
panel
Acustemologia del Sud: arte sonora nel Mediterraneo ed in America Latina
presentazione e discussione dei lavori di Liminaria 2018 (Acoustemology of South: sonic art in the Mediterranean area and in Latin America – presentation and discussion about the work of Liminaria 2018) [ITA/ESP]
with:
Alessandra Eramo
Fernando Godoy
David Vélez
chair: Beatrice Ferrara
sonic interventions: canecapovolto
—
h 20:30, KaOZ
ending of session: collective final roundtable
*info about the movie:
Zawawa: the Sound of Sugar Cane in the Wind
2017
50 min
Rupert Cox and Angus Carlyle
Kozo Hiramatsu (Co-Producer with Cox and Carlyle) and Atsushi Nishimura (Assistant Editor)
Japan & UK
It is a strange and bitter irony that the US naval bombardment which launched the Battle of Okinawa in 1945 was called the ‘typhoon of steel’, invoking the turbulent winds that annually buffet this small island. Okinawans sought shelter from the battle in natural features of the environment such as caves and within sugar cane fields, creating memories that reside in the sounds of these places today. Zawawa: the Sound of Sugar Cane in the Wind is the result of a ten-year collaboration between a landscape artist, an acoustic scientist and an anthropologist attempts to listen in on and make sense of these sounds through the stories of individuals and the recordings of these sounds. Their words, solidified as text and witness to the history of the US occupation of the island and expressed through the mixing of images and sounds of natural elements, military machinery and ritual practices convey the experience of many Okinawan lives, suspended between the American wars of the past, present and future.
